How to Train a Dragon
How to Train a Dragon
By Bilaal Marikar
Peppered with crude,
childish illustrations, How To Train Your Dragon by Cressida Cowell is
sometimes only infamously known as the series that gave birth to the colourful
movie franchise that has captivated the attention of a whole generation of
children. It is the perfect example for the cons of judging a book by its cover,
and brings with it so much more.
The series is
criminally underrated.
Written in the POV of
Hiccup Horrendous Haddock the Third, the books are a narration of Hiccup’s
account on how he, a scrawny kid, very much unlike the other Barbarians who
sported bulging muscles, flashy tattoos, majestic beards and an almost comical
appetite for violence, became one of the greatest Viking warriors, overcoming
all odds, along with his trusty, scrawny, common-garden dragon, Toothless.
Consisting of 12
books, Cressida Cowell lures her readers in with an almost light-hearted
approach as she explores the humble beginnings of hiccups humble beginning in
her first few books.
An account of the
unravelling of hiccups destiny, it is intertwined with various other
characters, humans and dragons alike, who create an insurmountable impact by
themselves. Fishlegs, Hiccup's trusted friend who is even further than hiccup
from fitting into the mould of a Viking, Hiccups father, the boisterous and
hot-headed (like all Vikings) Stoick The Vast, Chief of the Hairy Hooligan
tribe in the Isle of Berk, the evil cousin, Snotlout, who wants Hiccup out of
the picture, Gobber The Belch, their teacher, Camicazi, Hiccup's fleet footed
accomplice, and a host of other characters whom we become invested with over
time and start to realise that there is so much more to them than meets the
eye. Not to forget Alvin the treacherous armed with his serpentine charm
Hiccup’s nemesis who is hellbent on carrying out his own masterful schemes and
forging his own destiny.
We are given an
insight into the inner turmoil that plague the minds of not just the human
characters but also the dragons, who are painted as equals, friends, and not
just accessories, vehicles or weapons, an aspect that I greatly love about the
book.
Cressida Cowell who
is also the first children's author to receive Philosophy Now's Award for Contributions in the Fight Against
Stupidity, of which past recipients include Noam Chomsky, Raymond
Tallis and Ben
Goldacre.
This series not only
evokes the readers imagination and unlocks the potential for creativity with
the building of a whole new universe and an entire language (Dragonese), but it
also engages the reader in reflecting upon complex emotional, moral, political,
and historical themes.
Infused with humour
nerve-wracking excitement and command of the language that is startlingly weed
and responsible for powerful lines like, “We’re all snatching precious moments from the
peaceful jaws of time,” or , “I have never cared for castles or a crown that
grips too tight; Let the night sky be my starry roof and the moon my only light,
My heart was born a Hero, My storm-bound sword won’t rest, I left this harbour
long ago on a never ending quest. I am off to the horizon, Where the wind blows
the foam, Come get lost with me, love, And the sea shall be our home.” Cowell spins web that unconsciously tightens with each
book.
The finale, How To Fight
A Dragon's Fury, leads the reader to an epiphany. An eleven-book build up where
every single, insignificant detail from the very first book makes absolute
sense and your whole perception comes crashing down as Cressida Cowell
gracefully finishes the book with the flourish it wholly deserves. A plot so
intricate, so deeply inculcated that you would never realize the extent you had
been submerged in until you forcibly avert your eyes from the magic of the
pages.
Stay on the lookout
for this space as I will review a few of my favourite books from the series in
the coming issues! I can personally guarantee that you shall regret every
minute you keep depriving yourself from submitting to the spellbinding enchantment
these pages possess.
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